Subjective mapping of Dusseldorf
May 2019 & October 2020
On the invitation of the Forum Freies Theater (FFT) in Dusseldorf we organised a one-day collective workshop to map the cultural and traffic junction of ‘Worringer platz’. The workshop was part of their festival on ‘claiming commons spaces’ and provided a lively visual dialogue on the different realities the square intersected with, and offered artistic tools to address urban commons and mapping narratives.
Workshop at Botschaft, Worringer Platz, Dusseldorf, May 2019
Subsequently – after participating in the first workshop – the grass-root initiative ‘Round Table Oberbilk’ invited us for a second workshop to map the inner city quarter Oberbilk, lying just behind Dusseldorf main station. Together with a diverse and inclusive group of 15 creative social trainers we experimented with ways to capture the local narratives in visual mappings, infographics and photo series. Under the guidance of Subjective Editions and a local graphic designer, the participants mapped local narratives from the margins. Especially, they practiced methods of subjective mappings to be taken further in their own social and research based practices.
Arbeit & Leben, Oberbilk, Dusseldorf, October 2020
Impression
Note: the above impressions are developed during a 1-day workshop.
Other mappings
For a collaboration between the art schools Lasalle in Singapore and Sint Lucas in Antwerp, Subjective Editions started to imagine a Subjective atlas of Singapore; what does it mean to live in Singapore, and what can we learn from its inhabitants? Together they invited design students to visualize Singapore from their perspective, starting with a workshop in January 2020, and continued under the guidance of designer Syairah Malek towards a first digital publication shared on social media during summer 2020.
On the occasion of ‘Kaunas - European Capital of Culture 2022’ Subjective Editions has been invited to collaboratively map one eldership from inside out and capture cultural phenomena, measure the complexities and unveil the inhabitant’s treasures. During a local residency with 3 workshops at 3 locations in the neighbourhoods of the Garliava Eldership in Lithuania, creative inhabitants were invited to contribute their visual voices; in maps, infographics, photo series and other cartographic explorations. Collectively they showed what the eldership means at this moment of time.
What and who do we talk about when we speak of ‘Pakistan’ and the ‘Pakistani’ today? Subjective Editions and Pakistani artist and documentary maker Taqi Shaheen posed this question to more than sixty artists, designers, and other creative souls across Pakistan through a series of workshops and personal discussions. It invoked a new kind of thinking towards complex questions of identity through a criss-cross of unexpected alliances, conversational trajectories, and inspiring encounters. Together, with fresh perspectives, we set out to map the understanding of a country so often misunderstood.
On the invitation of theater director Alicja Borkowska we were invited to host a subjective mapping workshop at Strefa WolnoSłowa, a theater working with intercultural groups of migrants and refugees living in Poland. The workshop was part of a project for artists who get a three months training, and develop artistic projects in collaboration with the local community and migrant minorities. The training was led by different artists and Subjective Editions was invited to guide a two day training in mapping neighbourhoods and narratives.