Subjective mapping of Lubumbashi
★ October 2024 → October 2026 (expected) ⚑
Initiated by Atelier Picha, the Subjective Atlas of Lubumbashi is being developed as part of the Biennale de Lubumbashi, with the completed publication set to launch during the Biennale in 2026. Led by the Picha team (Sammy Baloji, Grady Bizaki, Semi Kansense, Gaelle Van Lede, Jean-Sylvain, and Filip De Boeck) the project brings together Lubumbashi’s growing artistic community to map the city from within. Through participatory workshops and individual contributions, artists, residents, and cultural practitioners explore how contemporary life in Lubumbashi emerges from—and is continually shaped by—its layered histories: the extractive logics of mining, shifting economic and ecological conditions, postcolonial urban transformations, and the social and cultural practices that sustain daily life. By foregrounding situated perspectives rather than official narratives, the atlas reveals Lubumbashi as a constellation of interconnected worlds, where memory, labour, creativity, and resilience intersect.
Events
Workshop Subjective Atlas of Lubumbashi
Workshop Subjective Atlas of Lubumbashi
Workshop Subjective Atlas of Lubumbashi
Workshop Subjective Atlas of Lubumbashi
Workshop Subjective Atlas of Lubumbashi
Developing the Subjective Atlas of Lubumbashi
Process
Drawing inspiration from the theme of the Picha Biennale, the concept of “toxicity” serves as a lens to critically examine how individuals and their environments—natural, social, and cultural—are shaped by historical forces. As philosopher Gramsci noted, we are the products of countless historical “traces” that influence us, even if we lack a clear inventory of them. By focusing on toxicity, the project opens a space for artistic reflection, encouraging participants to explore history’s visible and invisible imprints on the present. Through this exploration, we hope to understand better not only where we come from but also the potential futures we can imagine from this point forward.
Through workshops focused on subjective mapping, residents of Lubumbashi contribute their perspectives to the city’s cartography, addressing urban challenges through their lived experiences. Following the design methodology of Subjective Editions, these personal maps are compiled into an atlas that brings together multiple viewpoints. By focusing on a specific aspect of their experiences—whether social, cultural, or environmental—locals are invited to express what truly resonates with them, offering a deeper understanding of how these elements can be mapped and symbolized in a way that reflects their lived realities.
Press
Acknowledgements
Institutional partner: Atelier Picha Supported by: Flanders, state of the art Project team: Annelys de Vet ( editor in chief) & Picha team (Sammy Baloji, Grady Bizaki, Semi Kansense, Gaelle Van Lede, Jean-Sylvain, and Filip De Boeck)
Other mappings
For a collaboration between the art schools Lasalle in Singapore and Sint Lucas in Antwerp, Subjective Editions started to imagine a Subjective atlas of Singapore; what does it mean to live in Singapore, and what can we learn from its inhabitants? Together they invited design students to visualize Singapore from their perspective, starting with a workshop in January 2020, and continued under the guidance of designer Syairah Malek towards a first digital publication shared on social media during summer 2020.
On the occasion of ‘Kaunas - European Capital of Culture 2022’ Subjective Editions has been invited to collaboratively map one eldership from inside out and capture cultural phenomena, measure the complexities and unveil the inhabitant’s treasures. During a local residency with 3 workshops at 3 locations in the neighbourhoods of the Garliava Eldership in Lithuania, creative inhabitants were invited to contribute their visual voices; in maps, infographics, photo series and other cartographic explorations. Collectively they showed what the eldership means at this moment of time.
What and who do we talk about when we speak of ‘Pakistan’ and the ‘Pakistani’ today? Subjective Editions and Pakistani artist and documentary maker Taqi Shaheen posed this question to more than sixty artists, designers, and other creative souls across Pakistan through a series of workshops and personal discussions. It invoked a new kind of thinking towards complex questions of identity through a criss-cross of unexpected alliances, conversational trajectories, and inspiring encounters. Together, with fresh perspectives, we set out to map the understanding of a country so often misunderstood.
On the invitation of theater director Alicja Borkowska we were invited to host a subjective mapping workshop at Strefa WolnoSłowa, a theater working with intercultural groups of migrants and refugees living in Poland. The workshop was part of a project for artists who get a three months training, and develop artistic projects in collaboration with the local community and migrant minorities. The training was led by different artists and Subjective Editions was invited to guide a two day training in mapping neighbourhoods and narratives.